Project Proposal
Diploma in Performing &
Production Arts
Unit 8 Project Proposal
Section 1: Review
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So far in my course I feel have become a better
actor and are now more confident than I was in my abilities as an actor. I've
worked on Chekhov and his idea of Psychological Gesture when I had to switch
between my 2 characters in 'The Three Sisters' meaning that I had to
instantly get into role. I have used actions in both of my productions and
worked more on units of action which worked very well in our production of
'The York Realist'. I have also worked
with the Donmar Warehouse, a theatre company in the industry and have learnt
carious skills such as physical theatre and acting tactics to draw the focus
to myself when needed. Physical theatre is helpful to me as it will allow me
convey emotion and meaning in movement not just in the lines I am saying. The
acting tactics will help me to draw the attention of the audience when I want
to show that what has happened has strong meaning or importance to the plot
of the story, this makes the character's objective and emotion more clearly
to the audience. I have also learned that physical theatre is an important
tool in the acting industry as it can be used to show not only set but props
as well but also includes actors that would otherwise be off stage. I feel as
now I know more about the theatre industry I have an even larger interest in
becoming a part of it.
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Section 2: Project Concept
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For our production this term we are doing
"Fugee" by Abi Morgan. The production focuses on the life of Kojo a
past child soldier now living in asylum in the UK, the story follows him from
when he was younger and what has happened in his life to lead up to the
climax of him killing someone in the play. At the beginning of the play we
see the climax, Kojo stabbing the man and the reactions of all the characters
around him, this is also where we learn the characters names as they break
the fourth wall and talk about how they as characters are being played by
actors who are not them. The play is a long story about the protagonist Kojo
which often has anecdotes that act as scenes for the past events in his life,
characters often break the fourth wall making it hard to feel immersed in a
story which is always stopping and the characters always just telling you
that they are actors. This production allows us to use all of the skills that
we have been either learning or making better throughout the year such as actions,
tactics and objectives. It also allows us to be creative in our ability to
stage it, where we spoke about how we would stage the flashbacks that occur
momentarily in some of the small scenes. The script is very basic and does
not allow much room for interpretation having all the lines said in certain
way in order to get the right response from the other character to progress
the story. I feel the themes are also quite basic so will not require much
research but rather more time put in during lessons to stage it better and
use movement to make it more original.
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Section 3: Evaluation
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For this units evaluation I plan to document
the work I have been doing from the use of my blog and note taking in class.
In each session I will take pictures and make notes of things that we are
changing throughout the production process and what we end up doing for each
scene. I will also speak to the people in my class about what they think of
my acting in the scenes and how they think I could improve on myself, then apply
this to the next time I do that scene. I feel like a good way of evaluating
my progress is through videos recording what we are doing in class in various
scenes, this will allow me to see for myself exactly what I was doing and how
I can improve on it. The camera will be placed in the audience so I can get a
better feeling of how it all looks for them and work around it.
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Proposed Research Sources and Bibliography
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My
research for this production will
include looking at different productions and rehearsal processes of 'Fugee'
and how other actors have displayed certain roles through sources such as
YouTube: https://www.youtube.com/watch?v=e62pEep2zOk
I am also
going to use different adaptations of the script such as David Workman's
ideas on the script when he put on a show at the South Wark Playhouse in
April 14th 2015 to help me with my scenes which will show me how other
writers direct the lines to show the meaning, this will allow me to give the
most meaning and context in my lines to make the audience as engaged and
interested as possible. I have also been looking at the review for this and
what their audience thought of how they demonstrated the script, this would
allow me to us the best parts in my own production. Review: https://www.ayoungertheatre.com/review-fugee-southwark-playhouse/
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Project Action Plan and Timetable
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Week
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Date Week
Beginning
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Activity / What you are intending to do - including independent study
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Resources / What you will need to do it - including access to
workshops
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1
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17th April 2018
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Receive
the script and think about our first impressions of it.
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I will
need to have the script.
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2
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23rd
April 2018
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Begin to
look at other productions and have more discussions, look at the scenes in
chronological order.
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We will
need the script, a full class and YouTube to look at certain clips.
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3
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30th
April 2018
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Reach the
end of the script with some generally basic ideas about lighting and sound
discussed in class.
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We will
still need our scripts, a full class and successful research for lighting
techniques and sound clips.
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4
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7th May
2018
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Start to
fine-tune our ideas from the production process and work through our scenes
in a chronological order making sure we all have our lines learnt.
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We will
need a full class, certain scenes recorded and feedback from teachers and
peers.
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5
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14th May
2018
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Mainly
focus on the scenes that are not as strong as the others working more on them
to make it better.
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We will
need a full group and scripts even though this is when we should start to no longer
require it.
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6
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21st May
2018
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Run
through the production as many times as possible without the actors having a
script in hand.
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We will
need a full group and someone to prompt actors who get stuck and feedback to
see what scenes need work.
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7
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28th May
2018
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Finalise
our ideas and have our first technical run-through then after leading into us
performing our production
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We will
need the WHOLE class, technical crew to work lighting and sound and the
theatre space to rehearse and perform.
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8
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4th June
2018
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Watch
back the footage from our performance and note down both the negative and positive
aspects of the production.
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A video
of our performance in order for us to make notes and have material to work
from.
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9
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11th June
2018
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Evaluate
our performance and our production process.
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The video
of our performance will be needed still, some notes after watching and peer
feedback for our full evaluation.
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